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20 Best 2019 Movies With High Rotten Tomatoes Scores

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We’re three-quarters of the way through another year, but movie season is really only just beginning.To make things easy and clear, every movie on this guide is Certified Fresh, meaning a minimum number of approved critics – 40 for limited releases, 80 for wides – saw it, reviewed it, and got it up to at least 75% on the Tomatometer. (After becoming Certified Fresh, if a movie subsequently drops below 70%, it loses the designation. Stay above and stay golden!) In addition, a concerted theatrical release is a must for qualification; streaming movies that may have gone to theaters for a week but without independently verifiable screen counts or box office reports were left for our TV rankings.

PARASITE (2019)

Directed By: Bong Joon Ho

Bong Joon Ho brings his work home to Korea in this pitch-black modern fairytale. Meet the Park Family: the picture of aspirational wealth. And the Kim Family, rich in street smarts but not much else. Be it chance or fate, these two houses are brought together and the Kims sense a golden opportunity. Masterminded by college-aged Ki-woo, the Kim children expediently install themselves as tutor and art therapist, to the Parks. Soon, a symbiotic relationship forms between the two families. The Kims provide “indispensable” luxury services while the Parks obliviously bankroll their entire household. When a parasitic interloper threatens the Kims’ newfound comfort, a savage, underhanded battle for dominance breaks out, threatening to destroy the fragile ecosystem between the Kims and the Parks.

FOR SAMA (2019)

Directed By: Waad al-Kateab, Edward Watts

FOR SAMA is both an intimate and epic journey into the female experience of war. A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice – whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.

THE CHAMBERMAID  (2019)

Directed By: Lila Avilés

Eve, a young chambermaid at a luxurious Mexico City hotel, confronts the monotony of long workdays with quiet examinations of forgotten belongings and budding friendships that nourish her newfound and determined dream for a better life.

THE FAREWELL (2019)
Director: Lulu Wang

The film follows a Chinese family who, when they discover their beloved Grandmother has only a short while left to live, decide to keep her in the dark and schedule an impromptu wedding to gather before she passes. Billi, feeling like a fish out of water in her home country, struggles with the family’s decision to hide the truth from her grandmother.

ASH IS PUREST WHITE (2019)

Directed By: Zhangke Jia

A tragicomedy initially set in the jianghu-criminal underworld-setting, ASH IS PUREST WHITE is less a gangster movie than a melodrama. With a three-part structure, it begins by following the quick-witted Qiao (Tao Zhao) and her mobster boyfriend Bin (Fan Liao) as they stake out their turf against rivals and upstarts in 2001 postindustrial Datong before expanding out into an epic narrative of how abstract forces shape individual lives, and continues Jia Zhangke’s body of work as a record of 21st-century China and its warp-speed transformations.

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3 FACES (2019)

Directed By: Jafar Panahi

Well-known actress Behnaz Jafari is distraught by a provincial girl’s video plea for help–oppressed by her family to not pursue her studies at the Tehran drama conservatory. Behnaz abandons her shoot and turns to filmmaker Jafar Panahi to help solve the mystery of the young girl’s troubles. They travel by car to the rural northwest where they have amusing encounters with the charming folk of the girl’s mountain village. But the city visitors soon discover that the protection of age-old traditions is as generous as local hospitality…

TOO LATE TO DIE YOUNG (2019)

Directed By: Dominga Sotomayor Castillo

Democracy comes back to Chile during the summer of 1990. In an isolated community, Sofía (16), Lucas (16) and Clara (10), face their first loves and fears, while preparing for New Year’s Eve. They may live far from the dangers of the city, but not from those of nature.

 

TOY STORY 4 (2019)

Directed By: Josh Cooley

Woody (voice of Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s beloved new craft-project-turned-toy, Forky (voice of Tony Hale), declares himself as “trash” and not a toy, Woody takes it upon himself to show Forky why he should embrace being a toy. But when Bonnie takes the whole gang on her family’s road trip excursion, Woody ends up on an unexpected detour that includes a reunion with his long-lost friend Bo Peep (voice of Annie Potts). After years of being on her own, Bo’s adventurous spirit and life on the road belie her delicate porcelain exterior. As Woody and Bo realize they’re worlds apart when it comes to life as a toy, they soon come to find that’s the least of their worries.

BOOKSMART (2019)

Directed By: Olivia Wilde

The story follows Dever and Feldstein’s characters, two academic superstars and best friends who, on the eve of their high school graduation, suddenly realize that they should have worked less and played more. Determined never to fall short of their peers, the girls set out on a mission to cram four years of fun into one night.

WOMAN AT WAR (2019)

Directed By: Benedikt Erlingsson

Halla is a fifty-year-old independent woman. But behind the scenes of a quiet routine, she leads a double life as a passionate environmental activist. Known to others only by her alias “The Woman of the Mountain,” Halla secretly wages a one-woman-war on the local aluminum industry. As Halla’s actions grow bolder, from petty vandalism to outright industrial sabotage, she succeeds in pausing the negotiations between the Icelandic government and the corporation building a new aluminum smelter. But right as she begins planning her biggest and boldest operation yet, she receives an unexpected letter that changes everything. Her application to adopt a child has finally been accepted and there is a little girl waiting for her in Ukraine. As Halla prepares to abandon her role as saboteur and savior of the Highlands to fulfill her dream of becoming a mother, she decides to plot one final attack to deal the aluminum industry a crippling blow.

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PAIN AND GLORY (2019)

Directed By: Pedro Almodóvar

Pain and Glory tells of a series of reencounters experienced by Salvador Mallo, a film director in his physical decline. Some of them in the flesh, others remembered: his childhood in the 60s, when he emigrated with his parents to a village in Valencia in search of prosperity, the first desire, his first adult love in the Madrid of the 80s, the pain of the breakup of that love while it was still alive and intense, writing as the only therapy to forget the unforgettable, the early discovery of cinema, and the void, the infinite void that creates the incapacity to keep on making films. Pain and Glory talks about creation, about the difficulty of separating it from one’s own life and about the passions that give it meaning and hope. In recovering his past, Salvador finds the urgent need to recount it, and in that need he also finds his salvation.

 

TIGERS ARE NOT AFRAID (2019)

Directed By: Issa López

A haunting horror fairytale set against the backdrop of Mexico’s devastating drug wars, TIGERS ARE NOT AFRAID follows a group of orphaned children armed with three magical wishes, running from the ghosts that haunt them and the cartel that murdered their parents. Filmmaker Issa López creates a world that recalls the early films of Guillermo del Toro, imbued with her own gritty urban spin on magical realism to conjure a wholly unique experience that audiences will not soon forget.

ONCE UPON A TIME IN HOLLYWOOD (2019)

Directed By: Quentin Tarantino

Quentin Tarantino’s ninth feature film is a story that takes place in Los Angeles in 1969, at the height of hippy Hollywood. The two lead characters are Rick Dalton (Leonardo DiCaprio), former star of a western TV series, and his longtime stunt double Cliff Booth (Brad Pitt). Both are struggling to make it in a Hollywood they don’t recognize anymore. But Rick has a very famous next-door neighbor…Sharon Tate. Actor Rick Dalton gained fame and fortune by starring in a 1950s television Western, but is now struggling to find meaningful work in a Hollywood that he doesn’t recognize anymore. He spends most of his time drinking and palling around with Cliff Booth, his easygoing best friend and longtime stunt double. Rick also happens to live next door to Roman Polanski and Sharon Tate — the filmmaker and budding actress whose futures will forever be altered by members of the Manson Family.

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US (2019)

Directed By: Jordan Peele

Haunted by an unexplainable and unresolved trauma from her past and compounded by a string of eerie coincidences, Adelaide feels her paranoia elevate to high-alert as she grows increasingly certain that something bad is going to befall her family. After spending a tense beach day with their friends, the Tylers (Emmy winner Elisabeth Moss, Tim Heidecker, Cali Sheldon, Noelle Sheldon), Adelaide and her family return to their vacation home. When darkness falls, the Wilsons discover the silhouette of four figures holding hands as they stand in the driveway. Us pits an endearing American family against a terrifying and uncanny opponent: doppelgängers of themselves.

AVENGERS: ENDGAME (2019)

Directed By: Joe Russo, Anthony Russo

The grave course of events set in motion by Thanos that wiped out half the universe and fractured the Avengers ranks compels the remaining Avengers to take one final stand in Marvel Studios’ grand conclusion to twenty-two films, “Avengers: Endgame.”After Thanos, an intergalactic warlord, disintegrates half of the universe, the Avengers must reunite and assemble again to reinvigorate their trounced allies and restore balance

THE WILD PEAR TREE  (2019)

Directed By: Nuri Bilge Ceylan

Sinan (Aydin Doğu Demirkol), an aspiring writer, returns home after university hoping to scrape together enough money to publish his first novel. He wanders the town encountering old flames and obstinate gatekeepers and finds his youthful ambition increasingly at odds with the deferred dreams of his gambling-addict father (Murat Cemcir). As his own fantasies mingle with reality, Sinan grapples with the people and the place that have made him who he is.

THE HEIRESSES (2019)
Directed By: Marcelo Martinessi

Chela and Chiquita, both descended from wealthy families in Asunción, Paraguay, have been together for over 30 years. But recently their financial situation has worsened and they begin selling off their inherited possessions. But when their debts lead to Chiquita being imprisoned on fraud charges, Chela is forced to face a new reality. Driving for the first time in years, she begins to provide a local taxi service to a group of elderly wealthy ladies. As Chela settles into her new life, she encounters the much younger Angy, forging a fresh and invigorating new connection. Chela finally begins to break out of her shell and engage with the world, embarking on her own personal, intimate revolution.

 

BIRDS OF PASSAGE (2019)

Directed By: Cristina Gallego, Ciro Guerra

From the Oscar (R)-nominated team behind the genre-defying Embrace of the Serpent, comes an equally audacious saga centered on the Wayúu indigenous people during a crucial period in recent Colombian history. Torn between his desire to become a powerful man and his duty to uphold his culture’s values, Rapayet (José Acosta) enters the drug trafficking business in the 1970s and finds quick success despite his tribe’s matriarch Ursula’s (Carmiña Martínez) disapproval. Ignoring ancient omens, Rapayet and his family get caught up in a conflict where honor is the highest currency and debts are paid with blood. A sprawling epic about the erosion of tradition in pursuit of material wealth, Birds of Passage is a visually striking exploration of loyalty, greed, and the voracious nature of change.

 

THE PEANUT BUTTER FALCON (2019)

Directed By: Tyler Nilson, Michael Schwartz

A modern Mark Twain style adventure story, THE PEANUT BUTTER FALCON tells the story of Zak (Zack Gottsagen), a young man with Down syndrome, who runs away from a residential nursing home to follow his dream of attending the professional wrestling school of his idol, The Salt Water Redneck (Thomas Haden Church). A strange turn of events pairs him on the road with Tyler (Shia LaBeouf), a small time outlaw on the run, who becomes Zak’s unlikely coach and ally. Together they wind through deltas, elude capture, drink whisky, find God, catch fish, and convince Eleanor (Dakota Johnson), a kind nursing home employee charged with Zak’s return, to join them on their journey.

RAFIKI (2019)

Directed By: Wanuri Kahiu

Kena and Ziki live very different lives in Nairobi. Kena works in her father’s shop and awaits the start of nursing school, while Ziki passes the days hanging out with her friends and making up dance routines. Their paths cross when their fathers run against each other for seats in the County Assembly, and they find themselves drawn to each other. Soon their interest grows to affection and the girls find ways to love each other despite the ever-watching gaze of the neighborhood.”Good Kenyan girls become good Kenyan wives,” but Kena and Ziki long for something more. Despite the political rivalry between their families, the girls resist and remain close friends, supporting each other to pursue their dreams in a conservative society. When love blossoms between them, the two girls will be forced to choose between happiness and safety.

 

via : Rotten Tomatoes

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